File:Münster, LVM-Versicherung -- 2017 -- 6848 -- bw.jpg
| Uploaded by | XRay |
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| Upload date | 2017-04-27T16:55:47Z |
| MIME type | image/jpeg |
| Dimensions | 5371 × 3581 px |
| File size | 6.6 MB |
Summary
| Description |
Deutsch: LVM-Versicherung, Münster, Nordrhein-Westfalen, Deutschland
Die Anfänge des heutigen LVM-Campus gehen auf das Jahr 1967 zurück. In dem Jahr wurde der Standort am Kolde-Ring Ecke Weseler Straße bezogen. Die sieben Versicherungsgebäude des Campus liegen südlich des Stadtzentrums von Münster. Der nördliche Teil der Von-Stauffenberg-Straße durchzieht den Campus, südlich wird er von der Sperlichstraße begrenzt. Die LVM-Gebäude wurden zwischen 1965 und 2014 errichtet. Insbesondere die drei Hochhäuser der Versicherung gehören zur Silhouette Münsters. Die ebenerdigen Skulpturen „Körper und Seele“ (Duk-Kyu Ryang, 2015) und „Zwei Pferde für Münster“ (Stephan Huber, 2002) bilden zentrale optische Elemente der Geländegestaltung. Der 63 Meter hohe Büroturm LVM 5, „Kristall“ genannt, ist ein durch die Bauform besonders markantes Gebäude, das 80 Meter hohe Gebäude LVM 3, „Tower“ genannt, eines der höchsten Gebäude Münsters. English: LVM-Versicherung, Münster, North Rhine-Westphalia, Germany
The origins of today’s LVM campus date back to 1967, when the company moved into its premises on Kolde-Ring at the corner of Weseler Straße. The campus’s seven insurance buildings are located south of Münster city center. The northern part of Von-Stauffenberg-Straße runs through the campus, while Sperlichstraße forms its southern boundary. The LVM buildings were constructed between 1965 and 2014. The insurance company’s three high-rise buildings in particular are part of Münster’s skyline. The ground-level sculptures “Body and Soul” (Duk-Kyu Ryang, 2015) and “Two Horses for Münster” (Stephan Huber, 2002) are central visual elements of the site design. The 63-meter-high office tower LVM 5, known as “Crystal”, is a particularly striking building due to its design, while the 80-meter-high building LVM 3, known as “Tower”, is one of the tallest buildings in Münster. |
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| Location |  Münster-Aaseestadt ◁ Mitte-Süd ◁ Münster-Mitte ◁ Münster ◁ Münster Government Region ◁ North Rhine-Westphalia ◁ Germany ◁ Europe |
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| Depicts | LVM-Campus | ||||||||||||||||||||||||||||||||||||||
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| Date | Taken on 26 April 2017, 12:29 | ||||||||||||||||||||||||||||||||||||||
| Source | Own work | ||||||||||||||||||||||||||||||||||||||
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| Permission (Reusing this file) |
 .svg) I. Licence
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| Attribution (required by the license) | Dietmar Rabich / Wikimedia Commons / /
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| Keywords | Deutschland, Germany, LVM, LVM Landwirtschaftlicher Versicherungsverein Münster, Münster, Nordrhein-Westfalen, North Rhine-Westphalia, Westfalen, … Architectural element, Architectural photography, Architecture, Architektur, Architekturelement, Architekturfotografie, Bauwerk, Black, Black-and-white, Black-and-white photography, Building, Bürogebäude, Commerce building, Drei, Economy, Facade, Fassade, Five, Fotokunst, Froschperspektive, Fünf, Gebäude, Graustufen, Grauwertbild, Haus, High-rise, Hochhaus, Kreativität, Kreis Wesel, Low-angle shot, Monochrome photography, Münsterland, Office building, Ökonomie, Perspektive, Photo art, Photographic art, Qualitätsbild, Quality image, Reflection, Reflexion, Ruhrgebiet, Schwarz, Schwarzweiß, Schwarz-weiß, Schwarzweißbild, Schwarzweißfotografie, Siebenzehn, Skyline, Spiegelbild, Spiegelung, Stephan Huber, Three, Tower, Turm, Unternehmen, Weiß, Wesel, Wetter, White, Wirtschaft, Wolke, Zwanzig, 3, 5, 17, 20, 2017 |
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| Object location |  | View this and other nearby images on: OpenStreetMap |  |
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| Camera location | | View this and other nearby images on: OpenStreetMap | |
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The making of this work was supported by Wikimedia Austria. For other files made with the support of Wikimedia Austria, please see the category Supported by Wikimedia Österreich. |
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This image has been assessed using the Quality image guidelines and is considered a Quality image.
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Licensing
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The photographical reproduction of this work is covered under the article § 59 of the German copyright law, which states that "It shall be permissible to reproduce, by painting, drawing, photography or cinematography, works which are permanently located on public ways, streets or places and to distribute and publicly communicate such copies. For works of architecture, this provision shall be applicable only to the external appearance."
As with all other “limits of copyright by legally permitted uses”, no changes to the actual work are permitted under § 62 of the German copyright law (UrhG). See Commons:Copyright rules by territory/Germany#Freedom of panorama for more information.
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Notes
For users of the photo
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Of course, a free license is no carte blanche for use. In particular, there are restrictions not based on the license, for example to the personality rights of the author (Copyright law of Germany, §§ 12 to 14 of the German Copyright Act). This is especially true for the required attribution and the use of the image. It is expressly not allowed to give the impression through the use of the image, that the author supports the work, in which the image is used, or whose rights holders in any way.
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For editors
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The title (or, alternatively, the filename) is part of the license’s required information and should therefore not be changed. If any of the information is incorrect, the author would appreciate being notified.
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For photographers
First, you should be aware that a good photo is taken by the photographer themselves. The focus is therefore on composition and creativity. At least when you are starting out, it is advisable to follow the rules of composition. The camera and lens are tools for creating the photo. Technically speaking, a photo is only as good as the tools allow it to be.
If creativity and high quality are important to you, you should say goodbye to fully automatic mode. However, individual automatic functions can be useful. It is better to make some camera settings consciously, so it is also important to use them selectively.
There are only a few basic parameters that affect a photo. These are aperture, exposure time and ISO value. The aperture determines the depth of field in the image. The wider the aperture is open, the less sharp the image will be, and vice versa. However, the aperture should only be closed as far as is absolutely necessary. The exposure time should be short enough to prevent the photo from being blurred. The shorter it is, the more likely it is that movement will be frozen. The ISO value determines how sensitive a sensor is to light. The higher it is, the more sensitive it becomes. (More precisely, the light signal is amplified.) However, this has a disadvantage, because as the ISO value increases, so does the noise.
You should be able to focus correctly on the camera. You don’t necessarily have to focus manually, but you should be able to select the appropriate focus fields yourself. Furthermore, the significance of the focal length and its effect on the photo should be actively selected. For example, a longer focal length results in a compression effect, which has its own image effect. Even when using a zoom lens, it can’t hurt to take a few steps forward or backward.
Of course, this is only a very brief overview. There are other influencing factors and parameters, but these cannot be conveyed in the brevity of this text.Colors, light, perspective, and facial expressions influence our mood: warm colors have a stimulating effect, cool colors a calming one. A familiar face or a specific place can immediately trigger memories and associated emotions.
At the same time, the way we take photos reflects our inner world. The choice of subject and image composition can reveal unconscious themes. This is used in psychotherapy: photos help to express feelings, activate memories, and reflect self-image. Images thus become a bridge between emotion and language.
Maybe you’re waiting for the “perfect” subject. For better light. For more time. But creativity doesn’t start with perfect conditions — it starts with curiosity. With the courage to look. With the decision to get started today.
The light in the morning tells different stories than the light in the evening. Shadows paint patterns on walls. Raindrops transform into tiny universes when viewed in macro. An ordinary street becomes a stage when you observe it patiently.
You don’t need the most expensive equipment. You need your eye. Ask yourself:
- What do I overlook every day?
- How does this moment feel?
- What happens when I get closer — or further away?
Allow yourself to experiment. Play with perspectives. Crouch down. Take pictures against the light. Deliberately crop something out. Break the rules — after you know them. Not every picture has to be perfect. Every picture can be a step.
Creativity comes from doing. So get going. Capture what moves you. Show your view of the world — because no one else sees it the way you do.
Your camera is not a tool for perfection.It is a tool for expression.
Photographs
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 You like this photograph? That pleases me very much! You would like to see more of my pictures? With pleasure.
Wikimedia Commons has a large number of my photographs available under a free license. This makes it easy for you and me. The license details are for each picture. The use is easier than you think, because in essence, this is just the attribution in the form I want. In addition, usage notes are listed for each picture. And if it does not fit, just ask. My contact information is also available with every photograph. |
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