File:Kopenhagen (DK), Bahnhof -- 2017 -- 1672 (bw).jpg
| Uploaded by | XRay |
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| Upload date | 2017-09-15T04:58:05Z |
| MIME type | image/jpeg |
| Dimensions | 5347 × 3565 px |
| File size | 10.3 MB |
Summary
| Description |
English: Central station, Copenhagen, Denmark
Dansk: Trappe (fra Tietgensbroen) til togstationen, København, Danmark
Français : Descente d’escalier (de la Tietgensbroen) vers la gare, Copenhague, Danemark
Polski: Schody prowadzące z wiaduktu Tietgensbroen na jeden z peronów na Dworcu Centralnym w Kopenhadze, w Danii
Português: Escadas para a Estação Central de Copenhague, Dinamarca
Українська: Сходи (від Тітгенсброен) до залізничного вокзалу, Копенгаген, Данія
中文（中国大陆）：丹麦哥本哈根的中央车站
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| Location |  Copenhagen ◁ Capital Region of Denmark ◁ Denmark ◁ Europe |
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| Depicts | railway station – railway facility where trains regularly stop to load or unload passengers and/or freight | ||||||||||||||||||||||||||||||||||||||
| Technical Specifications |
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| Image data |
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| Date | Taken on 16 July 2017, 18:48 | ||||||||||||||||||||||||||||||||||||||
| Source | Own work | ||||||||||||||||||||||||||||||||||||||
| Author |
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| Permission (Reusing this file) |
 .svg) I. Licence
This photograph is protected by copyright law. However, it may be used for free by anyone, provided it is used in accordance with the license Creative Commons License “Attribution-ShareAlike 4.0 International” (CC BY-SA 4.0). These include, among other things, the naming of the author and the license, as well as the setting of a link to the license text or its complete imprint. The attribution should be done as follows:
Please read the text of the license carefully before using the photograph. If you do not agree with the conditions of the license or if you do not understand these conditions, please refrain from using the photo. If you have any questions regarding the license or the reuse of the image, please contact me before using it. If you do not comply with the terms of the license, you do not acquire any right to use the image. If you need another license to use, please contact the author before using.
For informations about the licence see section Licensing or as human-readable summary or as full licence text at Creative Commons. In addition to the above, a link to the source - so this page with the descriptions and license terms - is appreciated. More information or examples of use can be found at re-use (with example file). The Attribution Generator is helpful in licensing matters.
As an alternative to the Creative Commons License CC BY-SA 4.0, the Free Art License (from version 1.3) may also be used.
II. Fairness
From printed materials and other tangible products that use that work, the user is asked to send a copy to the author as thank you. However, this is not a condition for the use of the photo, but a voluntary service. The mailing address can be requested via the contact options.
Please note that the author had quite considerable effort to draw up this file. Thus, it is only fair to comply with the conditions of free licenses listed here. In the case of violation of the license conditions, the rights granted hereunder will expire automatically.
III. Disclaimer
Please note that the rights granted under the license apply exclusively to the photograph itself, but not to the rights of third parties — such as copyrights or property rights in the object depicted or the personal rights of any individuals who may be depicted. (See licences and non-copyright restrictions.) I do not grant any warranty that the subsequent use of the photograph is legally possible concerning the object or person shown in the photograph. You are responsible to check and respect these rights in the publication in the respective medium or country.
The author is not responsible for the accuracy of the information contained herein (description, title, etc.). Likewise, the author assumes no liability for further use. Please note the general disclaimer and please read reusing content outside Wikimedia too.
IV. Contact
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| Other versions |
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| Attribution (required by the license) | Dietmar Rabich / Wikimedia Commons / /
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| Keywords | Bahnhof, Copenhagen, Dänemark, Denmark, København, Københavns Hovedbanegård, Kopenhagen, … Дания, Копенгаген, Копенхаген, Architectural element, Architectural photography, Architecture, Architektur, Architekturelement, Architekturfotografie, Bahnstation, Bauwerk, Bild des Tages, Black, Black-and-white, Black-and-white photography, Bridge, Brücke, Building, Copenhaga, Copenhague, Dania, Dánia, Danimarca, Denkmal, Eisenbahn, Eisenbahnfotografie, Estación Central de Copenhague, Exzellentes Bild, Featured picture, Fotokunst, Gebäude, Geländer, Graustufen, Grauwertbild, København H, Kodaň, Kopenhaga, Kreativität, Kultur, Kulturdenkmal, Möbel, Monument, Photo art, Photographic art, Picture of the day, Qualitätsbild, Quality image, Railway, Railway photography, Railway station, Region Hovedstaden, Road, Schwarz, Schwarzweiß, Schwarz-weiß, Schwarzweißbild, Schwarzweißfotografie, Stadtmöbel, Stair, Stazione di Copenaghen Centrale, Straße, Straßenmöbel, Street, Symmetrie, Symmetry impressions, Train station, Transport, Treppe, Uhr, Verkehr, Weiß, White, 2017 |
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,_Bahnhof_--_2017_--_1672.jpg)
| Camera location |  | View this and other nearby images on: OpenStreetMap |  |
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Assessment
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This image was selected as picture of the day on Wikimedia Commons for 2 June 2019. It was captioned as follows: Other languages:
Italiano: Scale della stazione di Copenaghen Centrale a Copenaghen, in Danimarca Polski: Schody prowadzące z wiaduktu Tietgensbroen na jeden z peronów na Dworcu Centralnym w Kopenhadze, w Danii. Português: Escadas para a Estação Central de Copenhague, Dinamarca. Македонски: Скалиште кон перон на Главната железничка станица во Копенхаген, Данска. |
Licensing
- You are free:
- to share – to copy, distribute and transmit the work
- to remix – to adapt the work
- Under the following conditions:
- attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original.
Notes
For users of the photo
The rules of the listed free license apply, no more and no less. Please respect the copyright protection.
Particular attention should be paid to the terms of use, especially when using social media. These sometimes do not correspond to the license conditions listed here. (See CC BY-SA licenses and social media.) Please check this before use in the respective medium.
The license conditions must also be respected when using so-called generative artificial intelligence (AI). Images created on the basis of this image are processed images or derivatives within the meaning of the license.
Of course, a free license is no carte blanche for use. In particular, there are restrictions not based on the license, for example to the personality rights of the author (Copyright law of Germany, §§ 12 to 14 of the German Copyright Act). This is especially true for the required attribution and the use of the image. It is expressly not allowed to give the impression through the use of the image, that the author supports the work, in which the image is used, or whose rights holders in any way.
Links …
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For editors
Even though a wiki offers a wide range of possibilities, some changes are possible but not permitted. The creator of the image has made it available here under the specific license mentioned. The three components — image file, license, and filename (title) — are inextricably linked. Always keep in mind that images are also used outside the Wikimedia Commons ecosystem. In those contexts, attribution specifically refers to this exact location and this exact image file here.
- If you make changes to the image and want to make the modified image available to others here, upload the result under a new name and credit yourself as the editor — even for very minor changes. The templates Derivative and Extract are also available for this purpose. In addition, the author would like to make only minor corrections to the source he has on hand. The source is — as a rule — a RAW file. Editing a JPEG file always results in an undesirable loss of quality.
- As an alternative to the specified license, only compatible licenses are permitted. Otherwise, any other form of licensing is reserved exclusively for the copyright holder.
- When making changes to the filename, please always keep in mind the world outside of Wikimedia Commons. Anyone who enters a link expects the correct page with the correct image to appear. Anything else leads to confusion. A reference to the file versions is considered insufficient and impractical.
If you believe changes are necessary, or if you would like to offer constructive criticism, please contact the author.
It goes without saying that using the Crop Tool will not overwrite this original file. In accordance with the license, the resulting cropped image will have its user categories removed, any labels like “Quality Image” removed, the name of the person who created the cropped image added, and this original file cited as the source.
Two additional notes:
- File metadata (EXIF/IPTC/XMP) may not be removed or altered, provided that it is useful and necessary for the enforcement of rights. (protection of information necessary for the enforcement of rights, §95c UrhG).
- The author expressly disavows any images based on his photos (derivative works) that have been altered — even minimally — by third parties and on which only his name is listed as the author.
The title (or, alternatively, the filename) is part of the license’s required information and should therefore not be changed. If any of the information is incorrect, the author would appreciate being notified.
Links …
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For photographers
First, you should be aware that a good photo is taken by the photographer themselves. The focus is therefore on composition and creativity. At least when you are starting out, it is advisable to follow the rules of composition. The camera and lens are tools for creating the photo. Technically speaking, a photo is only as good as the tools allow it to be.
If creativity and high quality are important to you, you should say goodbye to fully automatic mode. However, individual automatic functions can be useful. It is better to make some camera settings consciously, so it is also important to use them selectively.
There are only a few basic parameters that affect a photo. These are aperture, exposure time and ISO value. The aperture determines the depth of field in the image. The wider the aperture is open, the less sharp the image will be, and vice versa. However, the aperture should only be closed as far as is absolutely necessary. The exposure time should be short enough to prevent the photo from being blurred. The shorter it is, the more likely it is that movement will be frozen. The ISO value determines how sensitive a sensor is to light. The higher it is, the more sensitive it becomes. (More precisely, the light signal is amplified.) However, this has a disadvantage, because as the ISO value increases, so does the noise.
You should be able to focus correctly on the camera. You don’t necessarily have to focus manually, but you should be able to select the appropriate focus fields yourself. Furthermore, the significance of the focal length and its effect on the photo should be actively selected. For example, a longer focal length results in a compression effect, which has its own image effect. Even when using a zoom lens, it can’t hurt to take a few steps forward or backward.
Of course, this is only a very brief overview. There are other influencing factors and parameters, but these cannot be conveyed in the brevity of this text.To create these shots, it’s helpful to mount the camera on a tripod and to enable tools such as grid lines on the display. One creative way to produce symmetrical images is through post-processing, by combining a photo with a mirrored version.
Colors, light, perspective, and facial expressions influence our mood: warm colors have a stimulating effect, cool colors a calming one. A familiar face or a specific place can immediately trigger memories and associated emotions.
At the same time, the way we take photos reflects our inner world. The choice of subject and image composition can reveal unconscious themes. This is used in psychotherapy: photos help to express feelings, activate memories, and reflect self-image. Images thus become a bridge between emotion and language.
Maybe you’re waiting for the “perfect” subject. For better light. For more time. But creativity doesn’t start with perfect conditions — it starts with curiosity. With the courage to look. With the decision to get started today.
The light in the morning tells different stories than the light in the evening. Shadows paint patterns on walls. Raindrops transform into tiny universes when viewed in macro. An ordinary street becomes a stage when you observe it patiently.
You don’t need the most expensive equipment. You need your eye. Ask yourself:
- What do I overlook every day?
- How does this moment feel?
- What happens when I get closer — or further away?
Allow yourself to experiment. Play with perspectives. Crouch down. Take pictures against the light. Deliberately crop something out. Break the rules — after you know them. Not every picture has to be perfect. Every picture can be a step.
Creativity comes from doing. So get going. Capture what moves you. Show your view of the world — because no one else sees it the way you do.
Your camera is not a tool for perfection.It is a tool for expression.
Photographs
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 You like this photograph? That pleases me very much! You would like to see more of my pictures? With pleasure.
Wikimedia Commons has a large number of my photographs available under a free license. This makes it easy for you and me. The license details are for each picture. The use is easier than you think, because in essence, this is just the attribution in the form I want. In addition, usage notes are listed for each picture. And if it does not fit, just ask. My contact information is also available with every photograph. |
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Every photographer has maxims that guide him or her. Sometimes they exist consciously, sometimes unconsciously. So here is an attempt to formulate this maxim for my own photos:
- I have to like the photos myself. Even if interests change over the course of time, this means that primarily subjects of personal interest are photographed. Subjects of secondary interest serve to increase knowledge and experiment with other techniques or subjects. Commissioned work with special design requirements is not carried out.
- Free knowledge should be supported. The photos should support knowledge and education in every possible way. I see free knowledge as a valuable asset. There is no commercial interest and it would also stand in the way of creativity.
- The joy of photography should be visible. Photography should be fun. Beautiful pictures should enable fantasy worlds. My photos should convey all of this.
- Photos are only offered to third parties if they have been finally processed. The entire development process is carried out by me, from the choice of motif to post-processing. Changes of any kind by third parties are therefore not acceptable. Use is of course permitted subject to the license conditions.
- The technically possible should be utilized. The equipment sets limits, but the photos should be taken within these limits. This also means that photos are usually taken in raw data format.
- The photos are part of a creative process. From the idea to the choice of motif to post-processing, the creative process is utilized and the individual view is used to shape it.
- The photos should serve as a model for others and arouse interest in photography. Photography has many facets, from documentation to artistic use. The special features of this medium are intended to arouse interest in photography and also photographic art.
- The photos should have a positive effect. My hope is that the photos will help make the world a little bit better and have a positive impact on how we interact with each other. That is why I am particularly pleased when the photos are used for educational purposes or volunteer work.