File:Dülmen, St.-Viktor-Kirche, Innenansicht -- 2018 -- 0773.jpg
| Uploaded by | XRay |
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| Upload date | 2018-02-04T07:08:56Z |
| MIME type | image/jpeg |
| Dimensions | 6720 × 4480 px |
| File size | 8.1 MB |
Summary
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Deutsch: Kapelle in der St.-Viktor-Kirche, Dülmen, Nordrhein-Westfalen, Deutschland
Die römisch-katholische Pfarrkirche St. Viktor ist die älteste Dülmener Kirche. Sie befindet sich im Stadtzentrum und als einzige innerhalb der ehemaligen Stadtmauern. Die Gründung im Jahr 780 geht auf den Abt Bernrad oder den hl. Liudger zurück und fand auf einem sächsischen (später bischöflichen) Haupthof statt. Sie zählt nicht nur als Urpfarre Dülmens, sondern sogar als eine der ältesten Kirchen des Bistums Münster. Der Namensgeber und Patron der Kirche ist der heilige Viktor. Die Weihe einer größeren Kirche, die vermutlich die erste Steinkirche war, fand 1074 statt. Das Gebäude der Kirche wurde mehrfach zerstört, aufgebaut, erneuert oder umgebaut, wurde jedoch immer in Richtung Osten, dem Ort des Sonnenaufgangs ausgerichtet. Die heutige Gestalt bekam die Kirche um das Jahr 1500, allerdings wurde sie am 21. und 22. März 1945 zerstört und danach wieder aufgebaut, wobei sich Spuren des schwierigen Wiederaufbaus erkennen lassen. English: Chapel in the St Viktor Church, Dülmen, North Rhine-Westphalia, Germany
The Roman Catholic parish church of St. Victor is the oldest church in Dülmen. It is located in the town center and is the only one within the former town walls. It was founded in 780 by Abbot Bernrad or St. Liudger on a Saxon (later episcopal) main farmstead. It is not only considered the original parish church of Dülmen, but also one of the oldest churches in the diocese of Münster. The church is named after and dedicated to St. Victor. The consecration of a larger church, which was probably the first stone church, took place in 1074. The church building was destroyed, rebuilt, renovated, or remodeled several times, but was always oriented toward the east, the place of sunrise. The church took on its current form around 1500, but was destroyed on March 21 and 22, 1945, and then rebuilt, with traces of the difficult reconstruction still visible. Polski: Kaplica w kościele św. Wiktora z Xanten w Dülmen, w Nadrenii Północnej-Westfalii, w Niemczech
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| Location |  Dülmen-Mitte ◁ Dülmen ◁ Coesfeld ◁ Münster Government Region ◁ North Rhine-Westphalia ◁ Germany ◁ Europe |
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| Depicts | St. Viktor (Dülmen) – church | ||||||||||||||||||||||||||||||||||||||
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| Date | Taken on 3 February 2018, 14:02 | ||||||||||||||||||||||||||||||||||||||
| Source | Self-photographed | ||||||||||||||||||||||||||||||||||||||
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| Permission (Reusing this file) |
 .svg) I. Licence
This photograph is protected by copyright law. However, it may be used for free by anyone, provided it is used in accordance with the license Creative Commons License “Attribution-ShareAlike 4.0 International” (CC BY-SA 4.0). These include, among other things, the naming of the author and the license, as well as the setting of a link to the license text or its complete imprint. The attribution should be done as follows:
Please read the text of the license carefully before using the photograph. If you do not agree with the conditions of the license or if you do not understand these conditions, please refrain from using the photo. If you have any questions regarding the license or the reuse of the image, please contact me before using it. If you do not comply with the terms of the license, you do not acquire any right to use the image. If you need another license to use, please contact the author before using.
For informations about the licence see section Licensing or as human-readable summary or as full licence text at Creative Commons. In addition to the above, a link to the source - so this page with the descriptions and license terms - is appreciated. More information or examples of use can be found at re-use (with example file). The Attribution Generator is helpful in licensing matters.
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IV. Contact
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| Attribution (required by the license) | Dietmar Rabich / Wikimedia Commons / /
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| Keywords | Church, Deutschland, Dülmen, Germany, Innenansicht, Kirche, Nordrhein-Westfalen, North Rhine-Westphalia, St. Viktor, St.-Viktor-Kirche, Westfalen, … Alemanha, Architectural photography, Architecture, Architektur, Architekturfotografie, Bauwerk, Bild des Tages, Candle, Christentum, Denkmal, Denkmalfotografie, Dülmen-Mitte, Exzellentes Bild, Featured picture, Fotografie von Kunstwerken, Fotokunst, Gotteshaus, Historic sites photography, Indoor, Innenaufnahme, Innenraum, Innenraumfotografie, Innenstadt, Interior view, Kerze, Kirchenausstattung, Kreativität, Kreis Coesfeld, Kultur, Kulturdenkmal, Kunst, Kunstwerk, Langzeit, Langzeitaufnahme, Langzeitbelichtung, Long exposure, Memorial, Monument, Monuments photography, Münster, Münsterland, Nadrenia Północna-Westfalia, Niemcy, Photo art, Photographic art, Picture of the day, Qualitätsbild, Quality image, Religion, Religiöses Gebäude, Religious building, Renânia do Norte-Vestfália, Sacral Photography, Sakralbau, Sakralbauwerk, Sakralfotografie, Sakralgebäude, Sculpture, Skulptur, Slow-shutter photography, Stadt, Stadtmauer, Standbild, Statue, Vítor de Xanten, Weiß, White, Wiktor z Xanten, 2018 |
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| Object location |  | View this and other nearby images on: OpenStreetMap |  |
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| Camera location | | View this and other nearby images on: OpenStreetMap | |
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Assessment
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This image was selected as picture of the day on Wikimedia Commons for 1 December 2019. It was captioned as follows: Other languages:
Polski: Kaplica w kościele św. Wiktora z Xanten w Dülmen, w Nadrenii Północnej-Westfalii, w Niemczech. Українська: Каплиця в церкві Святого Віктора в Дюлмені, Північний Рейн-Вестфалія, Німеччина. |
Licensing
| This and other images (full list of files) of the Saint Viktor of Xanten Church (Dülmen) was taken, uploaded and released under the CC BY-SA 4.0 license by Commons user Dietmar Rabich with permission.
Dietmar Rabich, the copyright holder of this work, hereby publishes it under the following license:    This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International license. Attribution:
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Notes
For users of the photo
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Of course, a free license is no carte blanche for use. In particular, there are restrictions not based on the license, for example to the personality rights of the author (Copyright law of Germany, §§ 12 to 14 of the German Copyright Act). This is especially true for the required attribution and the use of the image. It is expressly not allowed to give the impression through the use of the image, that the author supports the work, in which the image is used, or whose rights holders in any way.
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For editors
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The title (or, alternatively, the filename) is part of the license’s required information and should therefore not be changed. If any of the information is incorrect, the author would appreciate being notified.
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For photographers
First, you should be aware that a good photo is taken by the photographer themselves. The focus is therefore on composition and creativity. At least when you are starting out, it is advisable to follow the rules of composition. The camera and lens are tools for creating the photo. Technically speaking, a photo is only as good as the tools allow it to be.
If creativity and high quality are important to you, you should say goodbye to fully automatic mode. However, individual automatic functions can be useful. It is better to make some camera settings consciously, so it is also important to use them selectively.
There are only a few basic parameters that affect a photo. These are aperture, exposure time and ISO value. The aperture determines the depth of field in the image. The wider the aperture is open, the less sharp the image will be, and vice versa. However, the aperture should only be closed as far as is absolutely necessary. The exposure time should be short enough to prevent the photo from being blurred. The shorter it is, the more likely it is that movement will be frozen. The ISO value determines how sensitive a sensor is to light. The higher it is, the more sensitive it becomes. (More precisely, the light signal is amplified.) However, this has a disadvantage, because as the ISO value increases, so does the noise.
You should be able to focus correctly on the camera. You don’t necessarily have to focus manually, but you should be able to select the appropriate focus fields yourself. Furthermore, the significance of the focal length and its effect on the photo should be actively selected. For example, a longer focal length results in a compression effect, which has its own image effect. Even when using a zoom lens, it can’t hurt to take a few steps forward or backward.
Of course, this is only a very brief overview. There are other influencing factors and parameters, but these cannot be conveyed in the brevity of this text.Colors, light, perspective, and facial expressions influence our mood: warm colors have a stimulating effect, cool colors a calming one. A familiar face or a specific place can immediately trigger memories and associated emotions.
At the same time, the way we take photos reflects our inner world. The choice of subject and image composition can reveal unconscious themes. This is used in psychotherapy: photos help to express feelings, activate memories, and reflect self-image. Images thus become a bridge between emotion and language.
Maybe you’re waiting for the “perfect” subject. For better light. For more time. But creativity doesn’t start with perfect conditions — it starts with curiosity. With the courage to look. With the decision to get started today.
The light in the morning tells different stories than the light in the evening. Shadows paint patterns on walls. Raindrops transform into tiny universes when viewed in macro. An ordinary street becomes a stage when you observe it patiently.
You don’t need the most expensive equipment. You need your eye. Ask yourself:
- What do I overlook every day?
- How does this moment feel?
- What happens when I get closer — or further away?
Allow yourself to experiment. Play with perspectives. Crouch down. Take pictures against the light. Deliberately crop something out. Break the rules — after you know them. Not every picture has to be perfect. Every picture can be a step.
Creativity comes from doing. So get going. Capture what moves you. Show your view of the world — because no one else sees it the way you do.
Your camera is not a tool for perfection.It is a tool for expression.
Photographs
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 You like this photograph? That pleases me very much! You would like to see more of my pictures? With pleasure.
Wikimedia Commons has a large number of my photographs available under a free license. This makes it easy for you and me. The license details are for each picture. The use is easier than you think, because in essence, this is just the attribution in the form I want. In addition, usage notes are listed for each picture. And if it does not fit, just ask. My contact information is also available with every photograph. |
Every photographer has maxims that guide him or her. Sometimes they exist consciously, sometimes unconsciously. So here is an attempt to formulate this maxim for my own photos:
- I have to like the photos myself. Even if interests change over the course of time, this means that primarily subjects of personal interest are photographed. Subjects of secondary interest serve to increase knowledge and experiment with other techniques or subjects. Commissioned work with special design requirements is not carried out.
- Free knowledge should be supported. The photos should support knowledge and education in every possible way. I see free knowledge as a valuable asset. There is no commercial interest and it would also stand in the way of creativity.
- The joy of photography should be visible. Photography should be fun. Beautiful pictures should enable fantasy worlds. My photos should convey all of this.
- Photos are only offered to third parties if they have been finally processed. The entire development process is carried out by me, from the choice of motif to post-processing. Changes of any kind by third parties are therefore not acceptable. Use is of course permitted subject to the license conditions.
- The technically possible should be utilized. The equipment sets limits, but the photos should be taken within these limits. This also means that photos are usually taken in raw data format.
- The photos are part of a creative process. From the idea to the choice of motif to post-processing, the creative process is utilized and the individual view is used to shape it.
- The photos should serve as a model for others and arouse interest in photography. Photography has many facets, from documentation to artistic use. The special features of this medium are intended to arouse interest in photography and also photographic art.
- The photos should have a positive effect. My hope is that the photos will help make the world a little bit better and have a positive impact on how we interact with each other. That is why I am particularly pleased when the photos are used for educational purposes or volunteer work.