File:Dülmen, Kirchspiel, VW 1303 -- 2017 -- 2279.jpg
| Uploaded by | XRay |
|---|---|
| Upload date | 2017-09-01T16:04:31Z |
| MIME type | image/jpeg |
| Dimensions | 5472 × 3648 px |
| File size | 13.7 MB |
Summary
| Description |
Deutsch: Volkswagen Käfer 1303 in der Bauerschaft Dernekamp, Kirchspiel, Dülmen, Nordrhein-Westfalen, Deutschland
Der Volkswagen 1303 war eine Weiterentwicklung des klassischen VW Käfers und wurde von 1972 bis 1975 gebaut. Er stellte die technisch modernste Version der traditionellen Käfer-Baureihe dar. Äußerlich unterschied sich der 1303 vor allem durch seine gewölbte Panoramascheibe vorn, die mehr Platz im Innenraum schuf und das Fahrzeug moderner wirken ließ. Auch das Armaturenbrett war neu gestaltet und wirkte zeitgemäßer als bei früheren Modellen. Technisch basierte der 1303 auf dem 1302, verfügte jedoch über eine verbesserte Vorderachse mit McPherson-Federbeinen, was Fahrkomfort und Straßenlage spürbar verbesserte. Angeboten wurden verschiedene luftgekühlte Boxermotoren im Heck mit 1,3 oder 1,6 Litern Hubraum. Trotz seiner Verbesserungen sank die Nachfrage nach dem Käfer in den 1970er Jahren, da moderne Frontmotor-Modelle wie der Golf aufkamen. 1975 endete die Produktion des 1303 in Deutschland, das Käfer-Cabriolet lief noch bis 1980 weiter. English: Volkswagen Beetle 1303 in the Dernekamp hamlet, Kirchspiel, Dülmen, North Rhine-Westphalia, Germany
The Volkswagen 1303 was a further development of the classic VW Beetle and was built from 1972 to 1975. It was the most technically advanced version of the traditional Beetle series. Externally, the 1303 differed mainly in its curved panoramic windshield, which created more space in the interior and gave the vehicle a more modern look. The dashboard was also redesigned and appeared more contemporary than in earlier models. Technically, the 1303 was based on the 1302, but featured an improved front axle with McPherson struts, which noticeably improved ride comfort and road holding. Various air-cooled boxer engines with 1.3 or 1.6 liters of displacement were offered in the rear. Despite these improvements, demand for the Beetle declined in the 1970s as modern front-engine models such as the Golf emerged. Production of the 1303 ended in Germany in 1975, while the Beetle convertible continued to be produced until 1980. Español: Volkswagen Beetle 1303 en la comunidad agrícola de Dernekamp, Kirchspiel, Dülmen, Renania del Norte-Westfalia, Alemania
Français : Volkswagen Coccinelle 1303 dans le quartier de Dernekamp, Kirchspiel, Dülmen, Rhénanie-du-Nord-Westphalie, Allemagne
Italiano: Maggiolino Volkswagen 1303 nella comunità agricola di Dernekamp, Kirchspiel, Dülmen, Renania Settentrionale-Vestfalia, Germania
Nederlands: Volkswagen Kever 1303 in de landbouwgemeenschap Dernekamp, Kirchspiel, Dülmen, Noordrijn-Westfalen, Duitsland
Polski: Volkswagen Garbus 1303 w przysiółku Dernekamp położonym w Kirchspiel, części Dülmen w Nadrenii Północnej-Westfalii, w Niemczech
Українська: Volkswagen Beetle 1303 у фермерській громаді Дернекамп, Кірхшпіль, Дюльмен, Північний Рейн-Вестфалія, Німеччина
|
||||||||||||||||||||||||||||||||||||||
| Title | German: Volkswagen 1303 [I] Volkswagen 1303 [I] |
||||||||||||||||||||||||||||||||||||||
| Location |  Kirchspiel ◁ Dülmen ◁ Coesfeld ◁ Münster Government Region ◁ North Rhine-Westphalia ◁ Germany ◁ Europe |
||||||||||||||||||||||||||||||||||||||
| Depicts | Volkswagen Beetle – Volkswagen-made car produced from 1938 to 2003 | ||||||||||||||||||||||||||||||||||||||
| Technical Specifications |
|
||||||||||||||||||||||||||||||||||||||
| Image data |
|
||||||||||||||||||||||||||||||||||||||
| Date | Taken on 29 August 2017, 17:33 | ||||||||||||||||||||||||||||||||||||||
| Source | Own work | ||||||||||||||||||||||||||||||||||||||
| Author |
  |
||||||||||||||||||||||||||||||||||||||
| Permission (Reusing this file) |
 .svg) I. Licence
This photograph is protected by copyright law. However, it may be used for free by anyone, provided it is used in accordance with the license Creative Commons License “Attribution-ShareAlike 4.0 International” (CC BY-SA 4.0). These include, among other things, the naming of the author and the license, as well as the setting of a link to the license text or its complete imprint. The attribution should be done as follows:
Please read the text of the license carefully before using the photograph. If you do not agree with the conditions of the license or if you do not understand these conditions, please refrain from using the photo. If you have any questions regarding the license or the reuse of the image, please contact me before using it. If you do not comply with the terms of the license, you do not acquire any right to use the image. If you need another license to use, please contact the author before using.
For informations about the licence see section Licensing or as human-readable summary or as full licence text at Creative Commons. In addition to the above, a link to the source - so this page with the descriptions and license terms - is appreciated. More information or examples of use can be found at re-use (with example file). The Attribution Generator is helpful in licensing matters.
As an alternative to the Creative Commons License CC BY-SA 4.0, the Free Art License (from version 1.3) may also be used.
II. Fairness
From printed materials and other tangible products that use that work, the user is asked to send a copy to the author as thank you. However, this is not a condition for the use of the photo, but a voluntary service. The mailing address can be requested via the contact options.
Please note that the author had quite considerable effort to draw up this file. Thus, it is only fair to comply with the conditions of free licenses listed here. In the case of violation of the license conditions, the rights granted hereunder will expire automatically.
III. Disclaimer
Please note that the rights granted under the license apply exclusively to the photograph itself, but not to the rights of third parties — such as copyrights or property rights in the object depicted or the personal rights of any individuals who may be depicted. (See licences and non-copyright restrictions.) I do not grant any warranty that the subsequent use of the photograph is legally possible concerning the object or person shown in the photograph. You are responsible to check and respect these rights in the publication in the respective medium or country.
The author is not responsible for the accuracy of the information contained herein (description, title, etc.). Likewise, the author assumes no liability for further use. Please note the general disclaimer and please read reusing content outside Wikimedia too.
IV. Contact
|
||||||||||||||||||||||||||||||||||||||
| Other versions |
|
||||||||||||||||||||||||||||||||||||||
| Attribution (required by the license) | Dietmar Rabich / Wikimedia Commons / /
|
||||||||||||||||||||||||||||||||||||||
| Keywords | Bauerschaft, Dernekamp, Deutschland, Dülmen, Germany, Kirchspiel, Nordrhein-Westfalen, North Rhine-Westphalia, Volkswagen, Westfalen, 1303, … Дюльмен, Північний Рейн-Вестфалія, Німеччина, Alemania, Allemagne, Auto, Automobil, Automobilfotografie, Automotive photography, Bild des Tages, Black, Blau, Blue, Blume, Exzellentes Bild, Fahrzeug, Featured picture, Feld, Field, Flora, Flower, Geographie, Germania, Karmann, Kreis Coesfeld, Landfahrzeug, Landwirtschaft, Münsterland, Nadrenia Północna-Westfalia, Natur, Niemcy, Noordrijn-Westfalen, Parkplatz, Pflanze, Picture of the day, Plant, Przysiółek, Qualitätsbild, Quality image, Renania del Norte-Westfalia, Renania Settentrionale-Vestfalia, Rhénanie-du-Nord-Westphalie, Road, Schwarz, Siedlung, Sommer, Straße, Straßen und Wege, Street, Transport, Vehicle, Verkehr, Volkswagen Garbus, Weiler, Wetter, Wirtschaftsweg, Wolke, 2017 |
||||||||||||||||||||||||||||||||||||||
| Camera location |  | View this and other nearby images on: OpenStreetMap |  |
|---|
Assessment
|
|
This image was selected as picture of the day on Wikimedia Commons for 20 July 2019. It was captioned as follows: English: Volkswagen Beetle 1303 in the hamlet Dernekamp, Kirchspiel, Dülmen, North Rhine-Westphalia, Germany Other languages:
Čeština: Automobil Volkswagen Brouk model Volkswagen Beetle 1303 v osadě Dernekamp, Kirchspiel u německého města Dülmen. Deutsch: Volkswagen Käfer 1303 in der Bauerschaft Dernekamp, Kirchspiel, Dülmen, Nordrhein-Westfalen, Deutschland English: Volkswagen Beetle 1303 in the hamlet Dernekamp, Kirchspiel, Dülmen, North Rhine-Westphalia, Germany Español: Volkswagen Tipo 1 (1303 cc) en la aldea Dernekamp, Kirchspiel, Dülmen, Renania del Norte-Westfalia, Alemania. Esperanto: La Volkswagen Tipo 1 en la komunumo Dülmen, Nordrejn-Vestfalio, Germanio. Magyar: Volkswagen Bogár 1303 a Dernekamp birtokon (Kirchspiel, Dülmen, Észak-Rajna-Vesztfália, Németország) Nederlands: Volkswagen Kever Polski: Volkswagen Garbus 1303 w przysiółku Dernekamp położonym w Kirchspiel, części Dülmen w Nadrenii Północnej-Westfalii, w Niemczech. Português: Volkswagen Tipo 1 (1303 cc) na aldeia Dernekamp, Kirchspiel, Dülmen, Renânia do Norte-Vestfália, Alemanha. Македонски: Фолксваген Буба 1303 од отворен тип. বাংলা : ডার্নেকাম্প পল্লীতে একটি ভক্সওয়াগেন বিটল ১৩০৩, ক্রিশপিয়েল, ডুলমেন, নর্ডরাইন-ভেস্টফালেন, জার্মানি। |
|
All photos in this series have been designated as quality images. All photos in this series have been designated as quality images because they are sufficiently distinct from one another.  This photo from the series has been recognized as an excellent image. |
Licensing
- You are free:
- to share – to copy, distribute and transmit the work
- to remix – to adapt the work
- Under the following conditions:
- attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original.
Notes
For users of the photo
The rules of the listed free license apply, no more and no less. Please respect the copyright protection.
Particular attention should be paid to the terms of use, especially when using social media. These sometimes do not correspond to the license conditions listed here. (See CC BY-SA licenses and social media.) Please check this before use in the respective medium.
The license conditions must also be respected when using so-called generative artificial intelligence (AI). Images created on the basis of this image are processed images or derivatives within the meaning of the license.
Of course, a free license is no carte blanche for use. In particular, there are restrictions not based on the license, for example to the personality rights of the author (Copyright law of Germany, §§ 12 to 14 of the German Copyright Act). This is especially true for the required attribution and the use of the image. It is expressly not allowed to give the impression through the use of the image, that the author supports the work, in which the image is used, or whose rights holders in any way.
Links …
|
|---|
|
For editors
Even though a wiki offers a wide range of possibilities, some changes are possible but not permitted. The creator of the image has made it available here under the specific license mentioned. The three components — image file, license, and filename (title) — are inextricably linked. Always keep in mind that images are also used outside the Wikimedia Commons ecosystem. In those contexts, attribution specifically refers to this exact location and this exact image file here.
- If you make changes to the image and want to make the modified image available to others here, upload the result under a new name and credit yourself as the editor — even for very minor changes. The templates Derivative and Extract are also available for this purpose. In addition, the author would like to make only minor corrections to the source he has on hand. The source is — as a rule — a RAW file. Editing a JPEG file always results in an undesirable loss of quality.
- As an alternative to the specified license, only compatible licenses are permitted. Otherwise, any other form of licensing is reserved exclusively for the copyright holder.
- When making changes to the filename, please always keep in mind the world outside of Wikimedia Commons. Anyone who enters a link expects the correct page with the correct image to appear. Anything else leads to confusion. A reference to the file versions is considered insufficient and impractical.
If you believe changes are necessary, or if you would like to offer constructive criticism, please contact the author.
It goes without saying that using the Crop Tool will not overwrite this original file. In accordance with the license, the resulting cropped image will have its user categories removed, any labels like “Quality Image” removed, the name of the person who created the cropped image added, and this original file cited as the source.
Two additional notes:
- File metadata (EXIF/IPTC/XMP) may not be removed or altered, provided that it is useful and necessary for the enforcement of rights. (protection of information necessary for the enforcement of rights, §95c UrhG).
- The author expressly disavows any images based on his photos (derivative works) that have been altered — even minimally — by third parties and on which only his name is listed as the author.
The title (or, alternatively, the filename) is part of the license’s required information and should therefore not be changed. If any of the information is incorrect, the author would appreciate being notified.
Links …
|
|---|
|
For photographers
First, you should be aware that a good photo is taken by the photographer themselves. The focus is therefore on composition and creativity. At least when you are starting out, it is advisable to follow the rules of composition. The camera and lens are tools for creating the photo. Technically speaking, a photo is only as good as the tools allow it to be.
If creativity and high quality are important to you, you should say goodbye to fully automatic mode. However, individual automatic functions can be useful. It is better to make some camera settings consciously, so it is also important to use them selectively.
There are only a few basic parameters that affect a photo. These are aperture, exposure time and ISO value. The aperture determines the depth of field in the image. The wider the aperture is open, the less sharp the image will be, and vice versa. However, the aperture should only be closed as far as is absolutely necessary. The exposure time should be short enough to prevent the photo from being blurred. The shorter it is, the more likely it is that movement will be frozen. The ISO value determines how sensitive a sensor is to light. The higher it is, the more sensitive it becomes. (More precisely, the light signal is amplified.) However, this has a disadvantage, because as the ISO value increases, so does the noise.
You should be able to focus correctly on the camera. You don’t necessarily have to focus manually, but you should be able to select the appropriate focus fields yourself. Furthermore, the significance of the focal length and its effect on the photo should be actively selected. For example, a longer focal length results in a compression effect, which has its own image effect. Even when using a zoom lens, it can’t hurt to take a few steps forward or backward.
Of course, this is only a very brief overview. There are other influencing factors and parameters, but these cannot be conveyed in the brevity of this text.Colors, light, perspective, and facial expressions influence our mood: warm colors have a stimulating effect, cool colors a calming one. A familiar face or a specific place can immediately trigger memories and associated emotions.
At the same time, the way we take photos reflects our inner world. The choice of subject and image composition can reveal unconscious themes. This is used in psychotherapy: photos help to express feelings, activate memories, and reflect self-image. Images thus become a bridge between emotion and language.
Maybe you’re waiting for the “perfect” subject. For better light. For more time. But creativity doesn’t start with perfect conditions — it starts with curiosity. With the courage to look. With the decision to get started today.
The light in the morning tells different stories than the light in the evening. Shadows paint patterns on walls. Raindrops transform into tiny universes when viewed in macro. An ordinary street becomes a stage when you observe it patiently.
You don’t need the most expensive equipment. You need your eye. Ask yourself:
- What do I overlook every day?
- How does this moment feel?
- What happens when I get closer — or further away?
Allow yourself to experiment. Play with perspectives. Crouch down. Take pictures against the light. Deliberately crop something out. Break the rules — after you know them. Not every picture has to be perfect. Every picture can be a step.
Creativity comes from doing. So get going. Capture what moves you. Show your view of the world — because no one else sees it the way you do.
Your camera is not a tool for perfection.It is a tool for expression.
Photographs
|
 You like this photograph? That pleases me very much! You would like to see more of my pictures? With pleasure.
Wikimedia Commons has a large number of my photographs available under a free license. This makes it easy for you and me. The license details are for each picture. The use is easier than you think, because in essence, this is just the attribution in the form I want. In addition, usage notes are listed for each picture. And if it does not fit, just ask. My contact information is also available with every photograph. |
Every photographer has maxims that guide him or her. Sometimes they exist consciously, sometimes unconsciously. So here is an attempt to formulate this maxim for my own photos:
- I have to like the photos myself. Even if interests change over the course of time, this means that primarily subjects of personal interest are photographed. Subjects of secondary interest serve to increase knowledge and experiment with other techniques or subjects. Commissioned work with special design requirements is not carried out.
- Free knowledge should be supported. The photos should support knowledge and education in every possible way. I see free knowledge as a valuable asset. There is no commercial interest and it would also stand in the way of creativity.
- The joy of photography should be visible. Photography should be fun. Beautiful pictures should enable fantasy worlds. My photos should convey all of this.
- Photos are only offered to third parties if they have been finally processed. The entire development process is carried out by me, from the choice of motif to post-processing. Changes of any kind by third parties are therefore not acceptable. Use is of course permitted subject to the license conditions.
- The technically possible should be utilized. The equipment sets limits, but the photos should be taken within these limits. This also means that photos are usually taken in raw data format.
- The photos are part of a creative process. From the idea to the choice of motif to post-processing, the creative process is utilized and the individual view is used to shape it.
- The photos should serve as a model for others and arouse interest in photography. Photography has many facets, from documentation to artistic use. The special features of this medium are intended to arouse interest in photography and also photographic art.
- The photos should have a positive effect. My hope is that the photos will help make the world a little bit better and have a positive impact on how we interact with each other. That is why I am particularly pleased when the photos are used for educational purposes or volunteer work.