File:Borkum, Hauptstrand -- 2020 -- 2691 (bw).jpg
| Uploaded by | XRay |
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| Upload date | 2020-10-11T06:52:48Z |
| MIME type | image/jpeg |
| Dimensions | 6670 × 4447 px |
| File size | 11.5 MB |
Summary
| Description |
Deutsch: Strandkörbe am Hauptstrand, Borkum, Niedersachsen, Deutschland
Die Strände der Borkum sind eng mit der Entwicklung der Insel als See- und Kurort verbunden. Ursprünglich waren sie natürliche Dünen- und Sandlandschaften, die sich ständig durch Wind und Gezeiten veränderten. Im 19. Jahrhundert begann mit dem aufkommenden Seebäderwesen ein Wandel. 1834 wurde Borkum offiziell als Nordseebad anerkannt. In dieser Zeit entstanden erste Badeeinrichtungen, Strandkörbe und getrennte Badebereiche für Damen und Herren. Um die Insel und ihre Strände vor Sturmfluten zu schützen, wurden seit dem 19. Jahrhundert Dünen befestigt und später Buhnen und Deckwerke angelegt. Diese Küstenschutzmaßnahmen prägen das heutige Bild der Strände. Im 20. Jahrhundert entwickelte sich Borkum zu einem beliebten Urlaubsziel. Der Nordstrand wurde zum Hauptbadestrand, während der weitläufige Südstrand als Natur- und Ruhebereich gilt. English: Beach chairs on the main beach, Borkum, Lower Saxony, Germany
The beaches of Borkum are closely linked to the island’s development as a seaside resort and health spa. Originally, they were natural dune and sand landscapes that were constantly changing due to wind and tides. In the 19th century, the emergence of seaside resorts brought about a change. In 1834, Borkum was officially recognized as a North Sea resort. During this period, the first bathing facilities, beach chairs, and separate bathing areas for men and women were created. To protect the island and its beaches from storm surges, dunes were reinforced in the 19th century and later groynes and revetments were built. These coastal protection measures shape the appearance of the beaches today. In the 20th century, Borkum developed into a popular holiday destination. The north beach became the main bathing beach, while the extensive south beach is considered a nature and relaxation area. |
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| Title | German: Ferne |
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| Location |  Borkum ◁ Leer ◁ Lower Saxony ◁ Germany ◁ Europe |
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| Depicts | Beaches of Borkum | ||||||||||||||||||||||||||||||||||||||
| Inscription | Strandkorb: 12
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| Technical Specifications |
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| Date | Taken on 5 October 2020, 15:29 | ||||||||||||||||||||||||||||||||||||||
| Source | Own work | ||||||||||||||||||||||||||||||||||||||
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| Permission (Reusing this file) |
 .svg) I. Licence
This photograph is protected by copyright law. However, it may be used for free by anyone, provided it is used in accordance with the license Creative Commons License “Attribution-ShareAlike 4.0 International” (CC BY-SA 4.0). These include, among other things, the naming of the author and the license, as well as the setting of a link to the license text or its complete imprint. The attribution should be done as follows:
Please read the text of the license carefully before using the photograph. If you do not agree with the conditions of the license or if you do not understand these conditions, please refrain from using the photo. If you have any questions regarding the license or the reuse of the image, please contact me before using it. If you do not comply with the terms of the license, you do not acquire any right to use the image. If you need another license to use, please contact the author before using.
For informations about the licence see section Licensing or as human-readable summary or as full licence text at Creative Commons. In addition to the above, a link to the source - so this page with the descriptions and license terms - is appreciated. More information or examples of use can be found at re-use (with example file). The Attribution Generator is helpful in licensing matters.
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| Attribution (required by the license) | Dietmar Rabich / Wikimedia Commons / /
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| Keywords | Beach, Borkum, Deutschland, Germany, Hauptstrand, Lower Saxony, Niedersachsen, Strandkorb, … Bildung, Black, Black-and-white, Black-and-white photography, Bodies of water, Buhne, Coastal management, Dolna Saksonia, East Frisia, East Frisian Islands, Eastfryske Eilannen, Exzellentes Bild, Featured picture, Fotokunst, Geographie, Germania, Gewässer, Grau, Graustufen, Grauwertbild, Gray, Grey, Groyne, Kreativität, Küste, Landscape, Landscape photography, Landschaft, Landschaftsfotografie, Leerer Raum, Meer, Meerlandschaft, Möbel, Natur, Naturfotografie, Nedersaksen, Negativer Raum, Negative space, Ostfriesische Inseln, Ostfriesland, Photo art, Photographic art, Plaża, Qualitätsbild, Quality image, Schutzgebiet, Schwarz, Schwarzweiß, Schwarz-weiß, Schwarzweißbild, Schwarzweißfotografie, Sea, Seascape photography, Seelandschaftenfotografie, Strand, Strandstoel, Twelve, UNESCO-Welterbe, Wasser, Weiß, Weißraum, Welterbe, Wetter, White, Wissenschaft, Wolke, Wolkenfotografie, Wolkenlandschaftsfotografie, World Heritage Site, Zwölf, 12, 2020 |
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| Object location |  | View this and other nearby images on: OpenStreetMap |  |
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| Camera location | | View this and other nearby images on: OpenStreetMap | |
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This place is a UNESCO World Heritage Site, listed as “Wadden Sea”. |
Assessment
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Licensing
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Notes
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Particular attention should be paid to the terms of use, especially when using social media. These sometimes do not correspond to the license conditions listed here. (See CC BY-SA licenses and social media.) Please check this before use in the respective medium.
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Of course, a free license is no carte blanche for use. In particular, there are restrictions not based on the license, for example to the personality rights of the author (Copyright law of Germany, §§ 12 to 14 of the German Copyright Act). This is especially true for the required attribution and the use of the image. It is expressly not allowed to give the impression through the use of the image, that the author supports the work, in which the image is used, or whose rights holders in any way.
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For editors
Even though a wiki offers a wide range of possibilities, some changes are possible but not permitted. The creator of the image has made it available here under the specific license mentioned. The three components — image file, license, and filename (title) — are inextricably linked. Always keep in mind that images are also used outside the Wikimedia Commons ecosystem. In those contexts, attribution specifically refers to this exact location and this exact image file here.
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It goes without saying that using the Crop Tool will not overwrite this original file. In accordance with the license, the resulting cropped image will have its user categories removed, any labels like “Quality Image” removed, the name of the person who created the cropped image added, and this original file cited as the source.
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The title (or, alternatively, the filename) is part of the license’s required information and should therefore not be changed. If any of the information is incorrect, the author would appreciate being notified.
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For photographers
First, you should be aware that a good photo is taken by the photographer themselves. The focus is therefore on composition and creativity. At least when you are starting out, it is advisable to follow the rules of composition. The camera and lens are tools for creating the photo. Technically speaking, a photo is only as good as the tools allow it to be.
If creativity and high quality are important to you, you should say goodbye to fully automatic mode. However, individual automatic functions can be useful. It is better to make some camera settings consciously, so it is also important to use them selectively.
There are only a few basic parameters that affect a photo. These are aperture, exposure time and ISO value. The aperture determines the depth of field in the image. The wider the aperture is open, the less sharp the image will be, and vice versa. However, the aperture should only be closed as far as is absolutely necessary. The exposure time should be short enough to prevent the photo from being blurred. The shorter it is, the more likely it is that movement will be frozen. The ISO value determines how sensitive a sensor is to light. The higher it is, the more sensitive it becomes. (More precisely, the light signal is amplified.) However, this has a disadvantage, because as the ISO value increases, so does the noise.
You should be able to focus correctly on the camera. You don’t necessarily have to focus manually, but you should be able to select the appropriate focus fields yourself. Furthermore, the significance of the focal length and its effect on the photo should be actively selected. For example, a longer focal length results in a compression effect, which has its own image effect. Even when using a zoom lens, it can’t hurt to take a few steps forward or backward.
Of course, this is only a very brief overview. There are other influencing factors and parameters, but these cannot be conveyed in the brevity of this text.Colors, light, perspective, and facial expressions influence our mood: warm colors have a stimulating effect, cool colors a calming one. A familiar face or a specific place can immediately trigger memories and associated emotions.
At the same time, the way we take photos reflects our inner world. The choice of subject and image composition can reveal unconscious themes. This is used in psychotherapy: photos help to express feelings, activate memories, and reflect self-image. Images thus become a bridge between emotion and language.
Maybe you’re waiting for the “perfect” subject. For better light. For more time. But creativity doesn’t start with perfect conditions — it starts with curiosity. With the courage to look. With the decision to get started today.
The light in the morning tells different stories than the light in the evening. Shadows paint patterns on walls. Raindrops transform into tiny universes when viewed in macro. An ordinary street becomes a stage when you observe it patiently.
You don’t need the most expensive equipment. You need your eye. Ask yourself:
- What do I overlook every day?
- How does this moment feel?
- What happens when I get closer — or further away?
Allow yourself to experiment. Play with perspectives. Crouch down. Take pictures against the light. Deliberately crop something out. Break the rules — after you know them. Not every picture has to be perfect. Every picture can be a step.
Creativity comes from doing. So get going. Capture what moves you. Show your view of the world — because no one else sees it the way you do.
Your camera is not a tool for perfection.It is a tool for expression.
Photographs
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 You like this photograph? That pleases me very much! You would like to see more of my pictures? With pleasure.
Wikimedia Commons has a large number of my photographs available under a free license. This makes it easy for you and me. The license details are for each picture. The use is easier than you think, because in essence, this is just the attribution in the form I want. In addition, usage notes are listed for each picture. And if it does not fit, just ask. My contact information is also available with every photograph. |
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Every photographer has maxims that guide him or her. Sometimes they exist consciously, sometimes unconsciously. So here is an attempt to formulate this maxim for my own photos:
- I have to like the photos myself. Even if interests change over the course of time, this means that primarily subjects of personal interest are photographed. Subjects of secondary interest serve to increase knowledge and experiment with other techniques or subjects. Commissioned work with special design requirements is not carried out.
- Free knowledge should be supported. The photos should support knowledge and education in every possible way. I see free knowledge as a valuable asset. There is no commercial interest and it would also stand in the way of creativity.
- The joy of photography should be visible. Photography should be fun. Beautiful pictures should enable fantasy worlds. My photos should convey all of this.
- Photos are only offered to third parties if they have been finally processed. The entire development process is carried out by me, from the choice of motif to post-processing. Changes of any kind by third parties are therefore not acceptable. Use is of course permitted subject to the license conditions.
- The technically possible should be utilized. The equipment sets limits, but the photos should be taken within these limits. This also means that photos are usually taken in raw data format.
- The photos are part of a creative process. From the idea to the choice of motif to post-processing, the creative process is utilized and the individual view is used to shape it.
- The photos should serve as a model for others and arouse interest in photography. Photography has many facets, from documentation to artistic use. The special features of this medium are intended to arouse interest in photography and also photographic art.
- The photos should have a positive effect. My hope is that the photos will help make the world a little bit better and have a positive impact on how we interact with each other. That is why I am particularly pleased when the photos are used for educational purposes or volunteer work.