File:Berdorf (LU), Hohllay -- 2015 -- 6097-101.jpg
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| Upload date | 2016-11-24T07:07:46Z |
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Summary
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Deutsch: Hohllay („hohler Felsen“) bei Berdorf, Luxemburg
Die Hohllay, auch als Huel Lee bekannt, ist eine beeindruckende Felsformation im sogenannten „Gutland“ in Luxemburg, genauer in der Region der „Kleinen Schweiz“ bei Berdorf. Der Name bedeutet „hohler Felsen“ und beschreibt einen von Menschenhand ausgehöhlten Stein, der durch seine markanten, schmalen Gänge und Höhlen auffällt. Die Geschichte der Hohllay reicht bis in die Römerzeit zurück. Schon damals wurden hier Steine für den Bau von Gebäuden gewonnen, was die Bedeutung des Ortes als Steinbruch unterstreicht. Im Mittelalter wurde die Nutzung fortgesetzt, was die lange Tradition der Steinbearbeitung an diesem Standort zeigt. English: Hohllay (“hollow rock”) in Berdorf, Luxembourg
The Hohllay, also known as Huel Lee, is an impressive rock formation in Luxembourg’s “Gutland” region, more precisely in the “Little Switzerland” area near Berdorf. The name means “hollow rock” and describes a man-made hollowed-out stone that stands out due to its striking narrow passages and caves. The history of the Hohllay dates back to Roman times. Even then, stones were quarried here for the construction of buildings, which underlines the importance of the site as a quarry. Its use continued in the Middle Ages, demonstrating the long tradition of stoneworking at this location. Dansk: Hohllay („hul klippe“) nær Berdorf, Luxembourg
Español: Hohllay («roca hueca») en Berdorf, Luxemburgo
Français : Hohllay («rocher creux») près de Berdorf, Luxembourg
La Hohllay, également connue sous le nom de Huel Lee, est une impressionnante formation rocheuse située dans le « Gutland » au Luxembourg, plus précisément dans la région de la « Petite Suisse » près de Berdorf. Son nom signifie « rocher creux » et décrit une pierre creusée par l’homme qui se distingue par ses passages étroits et ses grottes caractéristiques. L’histoire de la Hohllay remonte à l’époque romaine. À cette époque déjà, on y extrayait des pierres pour la construction de bâtiments, ce qui souligne l’importance du site en tant que carrière. Son exploitation s’est poursuivie au Moyen Âge, ce qui témoigne de la longue tradition de travail de la pierre à cet endroit. עברית: Hohllay ("סלע חלול") ליד ברדורף, לוקסמבורג
Magyar: A „Hohllay” („üreges szikla”) (Berdorf, Luxemburg)
한국어: 룩셈부르크 베르도르프의 홀라이('속이 빈 바위')
Lëtzebuergesch: D’Huellee bei Bäerdref, wou schonn zu Réimerzäite Millesteng aus dem Sandsteefiels gebrach goufen
D’Hohllay, och bekannt als Huel Lee, ass eng imposant Fielsformatioun an der "Gutland"-Regioun vu Lëtzebuerg, méi genee am "Kleng Schwäiz"-Gebitt bei Bäerdref. De Numm bedeit "huelen Fiels" a beschreift e vum Mënsch ausgehuelten Steen, deen duerch seng markant schmal Gäng a Höhlen erausstécht. D’Geschicht vun der Hohllay geet zréck op d’réimesch Zäit. Schonn deemools goufen hei Steng fir de Bau vun Gebaier ofgebaut, wat d’Wichtegkeet vun der Plaz als Stengbriech ënnersträicht. Dës Notzung huet sech am Mëttelalter weidergefouert, wat d’laang Traditioun vun der Stengaarbecht op dëser Plaz weist. Українська: Холлай («порожниста скеля») поблизу Бердорфа, Люксембург
Tiếng Việt: Hohllay ‒ Tảng đá rỗng (“hollow rock”) ở thị trấn Berdorf, phía đông Luxembourg
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| Title | German: Leere |
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| Location |  Berdorf ◁ Berdorf ◁ Canton of Echternach ◁ Luxembourg ◁ Europe |
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| Depicts | Hohllay | ||||||||||||||||||||||||||||||||||||||||
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| Date | Taken on 23 May 2015, 17:07 | ||||||||||||||||||||||||||||||||||||||||
| Source | Own work | ||||||||||||||||||||||||||||||||||||||||
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| Permission (Reusing this file) |
 .svg) I. Licence
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| Attribution (required by the license) | Dietmar Rabich / Wikimedia Commons / /
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| Keywords | Berdorf, Höhle, Hohllay, Luxembourg, Luxemburg, … Бердорф, Люксембург, Architecture, Architektur, Bach, Bäerdref, Bild des Jahres, Bild des Tages, Bodies of water, Cave, Contre-jour, Contre-jour photography, Economy, Eingang, Entrance, Exzellentes Bild, Featured picture, Felsen und Steine, Felsformation, Fotokunst, Frühling, Gegenlicht, Geographie, Geologie, Gewässer, Grevenmacher, HDR, HDRI, HDR-Image, High Dynamic Range Image, Hochkontrastbild, Huel Lee, Kontur, Kreativität, Landscape, Landscape photography, Landschaft, Landschaftsfotografie, Langzeit, Langzeitaufnahme, Langzeitbelichtung, Long exposure, Lucembursko, Luksemburg, Lussemburgo, Luxemburgo, Natur, Naturpark, Naturschutzgebiet, Ökonomie, Park, Photo art, Photographic art, Picture of the day, Picture of the year, Pictures of the Year (finalist), Qualitätsbild, Quality image, Quarry, Rome, Schattenriss, Schutzgebiet, Silhouette, Slow-shutter photography, Steinbruch, Stream, Tone-mapped HDR image, Unternehmen, Valued image, Wasser, Wertvolles Bild, Wirtschaft, 2015 |
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,_Hohllay_--_2015_--_6097-101_-_sw.jpg)
,_Hohllay_--_2015_--_6097-101_(cinematic).jpg)
| Object location |  | View this and other nearby images on: OpenStreetMap |  |
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| Camera location | | View this and other nearby images on: OpenStreetMap | |
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NOTE: For this image, at least three individual images were combined as a High Dynamic Range Image (HDRI) and tone mapping (or as an exposure fusion (pseudo HDRI)) and were thereby processed digitally. Therefore, this picture may not reflect reality exactly in every detail. |
Assessment
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This image has been assessed under the valued image criteria and is considered the most valued image on Commons within the scope: Inner view of Hohllay near Berdorf in Luxembourg. You can see its nomination here. |
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This image was selected as picture of the day on Wikimedia Commons for 22 September 2015. It was captioned as follows: Other languages:
Deutsch: Hohllay („hohler Felsen“) bei Berdorf, Luxemburg Español: Hohllay ("roca hueca") en Berdorf, Luxemburgo. Magyar: A „Hohllay” („üreges szikla”) (Berdorf, Luxemburg) Tiếng Việt: Hohllay - Tảng đá rỗng (“hollow rock”) ở thị trấn Berdorf, phía đông Luxembourg. 한국어: 룩셈부르크 베르도르프의 홀라이('속이 빈 바위') |
Licensing
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Notes
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Particular attention should be paid to the terms of use, especially when using social media. These sometimes do not correspond to the license conditions listed here. (See CC BY-SA licenses and social media.) Please check this before use in the respective medium.
The license conditions must also be respected when using so-called generative artificial intelligence (AI). Images created on the basis of this image are processed images or derivatives within the meaning of the license.
Of course, a free license is no carte blanche for use. In particular, there are restrictions not based on the license, for example to the personality rights of the author (Copyright law of Germany, §§ 12 to 14 of the German Copyright Act). This is especially true for the required attribution and the use of the image. It is expressly not allowed to give the impression through the use of the image, that the author supports the work, in which the image is used, or whose rights holders in any way.
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For editors
Even though a wiki offers a wide range of possibilities, some changes are possible but not permitted. The creator of the image has made it available here under the specific license mentioned. The three components — image file, license, and filename (title) — are inextricably linked. Always keep in mind that images are also used outside the Wikimedia Commons ecosystem. In those contexts, attribution specifically refers to this exact location and this exact image file here.
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It goes without saying that using the Crop Tool will not overwrite this original file. In accordance with the license, the resulting cropped image will have its user categories removed, any labels like “Quality Image” removed, the name of the person who created the cropped image added, and this original file cited as the source.
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The title (or, alternatively, the filename) is part of the license’s required information and should therefore not be changed. If any of the information is incorrect, the author would appreciate being notified.
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For photographers
First, you should be aware that a good photo is taken by the photographer themselves. The focus is therefore on composition and creativity. At least when you are starting out, it is advisable to follow the rules of composition. The camera and lens are tools for creating the photo. Technically speaking, a photo is only as good as the tools allow it to be.
If creativity and high quality are important to you, you should say goodbye to fully automatic mode. However, individual automatic functions can be useful. It is better to make some camera settings consciously, so it is also important to use them selectively.
There are only a few basic parameters that affect a photo. These are aperture, exposure time and ISO value. The aperture determines the depth of field in the image. The wider the aperture is open, the less sharp the image will be, and vice versa. However, the aperture should only be closed as far as is absolutely necessary. The exposure time should be short enough to prevent the photo from being blurred. The shorter it is, the more likely it is that movement will be frozen. The ISO value determines how sensitive a sensor is to light. The higher it is, the more sensitive it becomes. (More precisely, the light signal is amplified.) However, this has a disadvantage, because as the ISO value increases, so does the noise.
You should be able to focus correctly on the camera. You don’t necessarily have to focus manually, but you should be able to select the appropriate focus fields yourself. Furthermore, the significance of the focal length and its effect on the photo should be actively selected. For example, a longer focal length results in a compression effect, which has its own image effect. Even when using a zoom lens, it can’t hurt to take a few steps forward or backward.
Of course, this is only a very brief overview. There are other influencing factors and parameters, but these cannot be conveyed in the brevity of this text.Colors, light, perspective, and facial expressions influence our mood: warm colors have a stimulating effect, cool colors a calming one. A familiar face or a specific place can immediately trigger memories and associated emotions.
At the same time, the way we take photos reflects our inner world. The choice of subject and image composition can reveal unconscious themes. This is used in psychotherapy: photos help to express feelings, activate memories, and reflect self-image. Images thus become a bridge between emotion and language.
Maybe you’re waiting for the “perfect” subject. For better light. For more time. But creativity doesn’t start with perfect conditions — it starts with curiosity. With the courage to look. With the decision to get started today.
The light in the morning tells different stories than the light in the evening. Shadows paint patterns on walls. Raindrops transform into tiny universes when viewed in macro. An ordinary street becomes a stage when you observe it patiently.
You don’t need the most expensive equipment. You need your eye. Ask yourself:
- What do I overlook every day?
- How does this moment feel?
- What happens when I get closer — or further away?
Allow yourself to experiment. Play with perspectives. Crouch down. Take pictures against the light. Deliberately crop something out. Break the rules — after you know them. Not every picture has to be perfect. Every picture can be a step.
Creativity comes from doing. So get going. Capture what moves you. Show your view of the world — because no one else sees it the way you do.
Your camera is not a tool for perfection.It is a tool for expression.
Photographs
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 You like this photograph? That pleases me very much! You would like to see more of my pictures? With pleasure.
Wikimedia Commons has a large number of my photographs available under a free license. This makes it easy for you and me. The license details are for each picture. The use is easier than you think, because in essence, this is just the attribution in the form I want. In addition, usage notes are listed for each picture. And if it does not fit, just ask. My contact information is also available with every photograph. |
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Every photographer has maxims that guide him or her. Sometimes they exist consciously, sometimes unconsciously. So here is an attempt to formulate this maxim for my own photos:
- I have to like the photos myself. Even if interests change over the course of time, this means that primarily subjects of personal interest are photographed. Subjects of secondary interest serve to increase knowledge and experiment with other techniques or subjects. Commissioned work with special design requirements is not carried out.
- Free knowledge should be supported. The photos should support knowledge and education in every possible way. I see free knowledge as a valuable asset. There is no commercial interest and it would also stand in the way of creativity.
- The joy of photography should be visible. Photography should be fun. Beautiful pictures should enable fantasy worlds. My photos should convey all of this.
- Photos are only offered to third parties if they have been finally processed. The entire development process is carried out by me, from the choice of motif to post-processing. Changes of any kind by third parties are therefore not acceptable. Use is of course permitted subject to the license conditions.
- The technically possible should be utilized. The equipment sets limits, but the photos should be taken within these limits. This also means that photos are usually taken in raw data format.
- The photos are part of a creative process. From the idea to the choice of motif to post-processing, the creative process is utilized and the individual view is used to shape it.
- The photos should serve as a model for others and arouse interest in photography. Photography has many facets, from documentation to artistic use. The special features of this medium are intended to arouse interest in photography and also photographic art.
- The photos should have a positive effect. My hope is that the photos will help make the world a little bit better and have a positive impact on how we interact with each other. That is why I am particularly pleased when the photos are used for educational purposes or volunteer work.